deborah: the Library of Congress cataloging numbers for children's literature, technology, and library science (Default)
[personal profile] deborah
Y'all have seen The Popular Romance Project, right?
Popular romance sells. And it reveals deep truths about people and cultures, fantasies and fears. The statistics are staggering: According to the Romance Writers of America, romance fiction generated $1.37 billion in sales in 2008, and romance was the top-performing category on the New York Times, USA Today, and Publishers Weekly best-seller lists.


The Popular Romance Project will explore the fascinating, often contradictory origins and influences of popular romance as told in novels, films, comics, advice books, songs, and internet fan fiction, taking a global perspective—while looking back across time as far as the ancient Greeks.


I'm thrilled that I got the opportunity to participate. My post "Hero or Stalker?" addresses some of the questions I've been having watching students respond to the behavior of male love interest in young adult romance. I've been realizing as I teach how much the reading transaction is influenced by the reader's genre expectations, and how much of those themselves are influenced by genre in a given place and time. My post explores this by looking at Margaret Mahy's The Changeover and Stephenie Meyer's Twilight. If you are interested, come and contribute to the conversation!
From: [personal profile] alterid
In real life, these extreme possessive behaviors are dangerous

Of course they are, and I have never argued that extreme possessive behaviours should be tolerated in real life, because that would be absurd -- please see my first sentence.

Maybe I wasn't clear enough about what I'm asking about. Within the subset of possessive male behaviours that sometimes merit a positive response (e.g. "that's so romantic") in real life and sometimes a negative one (e.g. "gross!") -- i.e. I'm specifically excluding crazy behaviours like murder, theft etc. here -- *something* causes a particular woman's reaction to go one way or another. I am interested in what that something is. In the analogous case of fiction, that something is (or at least can be) the author's direction, but real life has no (obvious) author -- hence my question (and my proposed answer: subjectively experienced sexual attractiveness).

At the end of the day, though, I find it really concerning that you consider starting a conversation with a woman you don't know well to be on the same continuum as murder motivated by sexual jealousy

Let's look at what *is* the same about these things: in fiction, they can both inspire reactions ranging from disgust to sexual arousal. Do you agree? If so: What explains this shared range of responses to these things in fiction?

In the hope of avoiding misunderstandings, here is something that I am specifically *not* saying: I am not arguing that these two things are morally equivalent in real life. I merely think there is a shared cause that prompts this shared range of reactions; if you believe that there are two (or more) distinct causes, then please elaborate.
From: [personal profile] alterid
I assert that whether or not these behaviors are creepy in real life is unquestionable

I think I see the sticking point now: it seems you personally find all possessive behaviours in real life to be unquestionably creepy in all cases. The problem is that that is demonstrably not the case for all women. A large proportion of women find some nonzero level of possessive display in real life to be not only appealing but in fact necessary to experiencing attraction -- when performed by certain men in certain contexts, *including* first meetings and other early-stage interactions -- and unappealing to the point of being morally wrong otherwise. These high-threshold women phrase their preferences in different ways, perhaps the most common being "I like a man to be a man", or "I go for real men". I myself have been counseled by female friends to "be more aggressive" in the way I deal with women I meet if I want to make myself sexually appealing to them. You might frown on these women, but do you deny they exist? And if they exist: how is a man who lacks mindreading powers to both respectfully and effectively approach a woman, given that her threshold and sexual interest level could be anywhere on the scale?

Where the acceptable-in-the-right-context threshold for male possessiveness is for each woman varies a lot, and I should have mentioned in my original post that this is a second factor in determining a woman's perception of some particular possessive male display. This threshold is like a governing switch for the other factor (level of attraction to the man). But importantly it shares the same characteristics that make it problematic as a basis for moral judgments of suitors: it is subjective, it varies across women, and it is not directly visible to others.

Again and again, you ignore the question of whether fiction techniques that make mass murderers or serial killers or any other unpleasant character into the sympathetic character is somehow also "unfair for men."

Murderers etc. are not in the same category, because unlike real-life displays of possessive behaviour, which many women find appealing to some extent, no woman (or man for that matter) finds the real-life equivalent of Hannibal Lecter romantically or sexually appealing. No real-life man has ever wondered how many innocent people he should kill to impress a particular woman, while knowing that there is a real possibility that his body count might not be *high enough* to engage her interest.

So what *is* in the same category? Easy: a woman approaching a man, who risks being judged a "slut" if she behaves too sexually in the man's purely subjective opinion, and who risks being uninteresting to him if she does not behave sexually enough, again in his opinion. She is not able to accurately gauge beforehand what kind of behaviour he will regard as appropriate because men's opinions on the topic are subjective, they vary across men, and they are not directly visible to others. If she guesses too high, the penalty is potentially a harsh moral judgment from him and others. Do you see what I mean now? There ought to be a reliable way for an adult (male or female) to approach another adult (male or female) with romantic or sexual intent in a way that both (a) is respectful enough not to provoke harsh moral judgments and (b) does not exclude the possibility of attracting a large proportion of people. But this is not the case today; we (both sexes) are mired in double binds about what behaviour is appropriate, because some behaviours that are necessary to attract some people are anathema to others.

My question is essentially: What can we do to ease or break these double binds? You are interested in what seems to me to be a close cousin of this question, in the setting of romantic fiction. This doesn't obligate you to be interested in my question, and if you aren't then I will leave it at that. But I detect that you think that my question is not merely off-topic but actually invalid in some sense. That is not the case, or at least you and fox1013 have not demonstrated as much so far. For my part I am trying to be as clear as possible, but obviously we come from different points of view, which means we can each be making assumptions that seem obvious to ourselves but have not been thought about by the other person, so please let me know if anything still remains unclear.
fox1013: quote by Melina Marchetta in FINNIKIN OF THE ROCK, icon by <user name="green"> (Kidlit - Humanity)
From: [personal profile] fox1013
You're approaching this from an intellectually disingenuous position. Women are not puzzles to be solved; there is no one set of behaviors that functions as a key to unlock a woman's vagina.

The reason I- and presumably Deborah- find your question invalid is that you're trying to reduce humanity to an artificial binary, rather than a collection of billions of people with vastly different tastes. That there isn't a single solution for all potential romantic partners is not "unfair" to you, or to anyone else; it's merely a function of humanity not being some type of collective hivemind. Romantic fiction is about the intersection of two particular individuals' tastes; you appear to be looking for some type of secret decoder ring that negates the role of the individual, and that isn't just problematic, it's offensive.
fox1013: The student now challenges the master. Except it's with invisible guitars. (Invisible Guitars)
From: [personal profile] fox1013
What I'm confused about in your comment is the way in which you appear to be moving goalposts without realizing it. You appear to be saying that while of course in real life these behaviors aren't on the same continuum, in fiction they are. And that's simply not true. Aside from a few extremes, behavior like that isn't held up as appealing in fiction.

When you look at fiction on a meta level, the reason stories work is that the two precise characters chosen click in some way that makes for an interesting narrative. We don't hear about the 40 other girls who realized Edward was watching them sleep and either pressed charges or moved away; they don't fulfill the extratextual demands of a love story. Edward may have felt the same way about all of them, but it doesn't matter; the very concept of fiction mandates that the two characters at the forefront will be the ones to form that connection.

It's not sexual attractiveness that determines whether behavior is creepy; someone very attractive can be super creepy. As Deborah said multiple times, the constructs of fiction allow for implied consent. Because, as you say, there is no author in real life, the only way to achieve consent in life is to actually discuss and negotiate it. This is not a slippery slope.

Custom Text

Gnomic Utterances. These are traditional, and are set at the head of each section of the Guidebook. The reason for them is lost in the mists of History. They are culled by the Management from a mighty collection of wise sayings probably compiled by a SAGE—probably called Ka’a Orto’o—some centuries before the Tour begins. The Rule is that no Utterance has anything whatsoever to do with the section it precedes. Nor, of course, has it anything to do with Gnomes.

Expand Cut Tags

No cut tags
Page generated Dec. 29th, 2025 03:41 am
Powered by Dreamwidth Studios