deborah: Kirkus Reviews: OM NOM NOM BRAINS (kirkus)
[personal profile] deborah
This is enough of a paper topic that someone's probably already done the research, but here's a hypothesis:

One of the reasons I so often have to hold myself back from describing YA realism novels as "modernist" or even "existentialist," is that some of the core elements of both -- subjectivity, disorientation, confusion, and chaos in a seemingly absurd world, all as the ultimate, horrifying breakage which must be solved by the central character -- provide a very sensible thematic structure for the way the West defines adolescence.

Man, modernism as an adolescent worldview. Of course I would think that; I'm a post-modernist at heart.

Date: 2015-02-23 03:31 am (UTC)
watersword: An abstracted virgule. (Stock: virgule)
From: [personal profile] watersword
If you find the paper that someone has surely written on this, let me know?

Date: 2015-02-24 12:25 am (UTC)
amaebi: black fox (Default)
From: [personal profile] amaebi
Oh, I like that.

Date: 2015-03-01 01:50 pm (UTC)
in_parentheses: (Default)
From: [personal profile] in_parentheses
Ooh! Book examples? I think I see what you're getting at, but examples would help.

Custom Text

Gnomic Utterances. These are traditional, and are set at the head of each section of the Guidebook. The reason for them is lost in the mists of History. They are culled by the Management from a mighty collection of wise sayings probably compiled by a SAGE—probably called Ka’a Orto’o—some centuries before the Tour begins. The Rule is that no Utterance has anything whatsoever to do with the section it precedes. Nor, of course, has it anything to do with Gnomes.

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