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Gnomic Utterances. These are traditional, and are set at the head of each section of the Guidebook. The reason for them is lost in the mists of History. They are culled by the Management from a mighty collection of wise sayings probably compiled by a SAGE—probably called Ka’a Orto’o—some centuries before the Tour begins. The Rule is that no Utterance has anything whatsoever to do with the section it precedes. Nor, of course, has it anything to do with Gnomes.
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Re: Here via metafandom
Date: 2010-11-05 10:30 pm (UTC)I mean, it's not as if I'm saying that author's intent should take precedence over all other interpretations, or that it's always successful; it can give added insight, but it doesn't necessarily.
Believing one can actually discern the author's purpose often leads students to believe that anything they see in the text which might be interesting could only possibly be there because the author thought of it.
Not in my experience, but I'm a student and not a teacher. A part of our analysis is always about looking at what an author may have done unconsciously.
Moreover, it leads them to believe that interpretations which couldn't possibly have been by authorial intent (because of historical context, for example) are automatically invalid.
I suppose it would depend on the interpretation, but it seems self-evident that a text will have a different meaning if applied on a completely different era and society than that in which it was originally written. Knowing both should only enrich the experience of the text, I would think.
Looking at your examples, I think we probably use a very different model of analysis (and which level do you teach?). It's not so much that we use the author's intent as a tool, but rather another aspect to analyse. Sometimes it isn't discernible, but knowing it can shed light on certain choices in the text.
I don't teach my students to understand the purpose of the text, but the effect of it.
We study both. I suppose I just don't agree with the thought that a text can exist in a vacuum. Many works of fiction has grown out of conflict, experimentation, or the author's particular wish to make a statement. I don't see how ignoring that is useful.
what does it matter if the architect's purpose, or even the house's purpose, is that this room be a bedroom?
It matters if you want your bed to fit in it! Architects put different things in different rooms depending on what they plan them to be used for. Sometimes you disagree with the architects choices, but it's still useful to know where the main phone socket is located.
(Er, I hope I'm not sounding upset or aggressive here; tone is so hard to convey in long meta discussions. I'm just trying to have a nice discussion, that's all!)