Date: 2009-03-03 12:27 am (UTC)
cnoocy: green a-e ligature (Default)
From: [personal profile] cnoocy
Hm. Given that authors, critics, and reviewers tend to be from a leisure class, I think that the likelihood of author-critic and author-reviewer interactions hasn't suddenly exploded on a percentage basis, but I do think those interactions have become more accessible to people outside literary circles , because they happen in open forums rather than closed salons or the letters sections of lit mags.
Which brings up another issue with this democratization of criticism: because reviews and critiques can come from everywhere, rather than from a small selection of widely-read literary publications, authors may have less reticence about responding to them. It's probably a lot easier (psychologically) to hop on line and yell at a pseudonymous* internet critic than it is to write an angry letter to the New York Times about a bad review from Michiko Kakutani.

*Not to put down pseudonymity, but to contrast the effect of a pseudonym and a Big Name Critic on a hypothetical author.
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Gnomic Utterances. These are traditional, and are set at the head of each section of the Guidebook. The reason for them is lost in the mists of History. They are culled by the Management from a mighty collection of wise sayings probably compiled by a SAGE—probably called Ka’a Orto’o—some centuries before the Tour begins. The Rule is that no Utterance has anything whatsoever to do with the section it precedes. Nor, of course, has it anything to do with Gnomes.

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