Date: 2009-01-28 01:21 pm (UTC)
From: (Anonymous)
I think an earlier response of mine was eaten by the blogosphere. I also come down on the side of higher expectations for less well known subjects. I am still considering the question of myths versus historical settings. I don't think there's a difference in expectations there for me. I love the Prydain books, but I know that I would feel very, very uncomfortable if Alexander had rummaged through the cultural framework of a First Nation to find the inspiration for his story. I'm leery of giving something a pass just because I like it; that's exactly why I doublecheck my love of the Prydain books.

I go back to your original post and the idea that you shouldn't do harm and justify it as "art." I can imagine the Dickinson was offended by Alexander's work, but I cannot see that he was "hurt." I have to believe that an Abenaki looking at his myths used in a similar way would have a different experience. I think the difference between mainstream and marginalized is more important than the difference between myth vs. history.

(And I *still* think that we shouldn't use fiction as a substitute for history in the classroom. As a supplement, yes. In place of non-fiction, no.)
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Gnomic Utterances. These are traditional, and are set at the head of each section of the Guidebook. The reason for them is lost in the mists of History. They are culled by the Management from a mighty collection of wise sayings probably compiled by a SAGE—probably called Ka’a Orto’o—some centuries before the Tour begins. The Rule is that no Utterance has anything whatsoever to do with the section it precedes. Nor, of course, has it anything to do with Gnomes.

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