Mar. 6th, 2009

deborah: the Library of Congress cataloging numbers for children's literature, technology, and library science (Default)
(Note: This post started as being one about trends I see in young adult and children's science fiction, but turned into something of a critique of Farah's article. I want to preface the post, then, by saying that I have nothing but respect for Farah, and I agree with the overall thrust of her article and her point. I'm niggling because I see more positivity for the genre and the direction it's going right now than she does, not because I disagree with her overall thrust. ETA: Farah offers important clarifications.)

Wow, this got long. Dystopias in young adult science fiction, and optimism about the genre. )
deborah: the Library of Congress cataloging numbers for children's literature, technology, and library science (Default)
So here's a thing I wonder: there's a lot of talk going on right now about finding more books by authors of color. In children's and young adult science fiction and fantasy (my primary field), authors of color and protagonists of color are few and far between. So I wonder when I make a lengthy post (as I did earlier this afternoon) that happens to discuss several science fiction books by authors of color if I should be pointing that out, just because it raises the chance that bring these books to the attention of someone who might be interested.

The fact that the authors in question are PoC is not (exactly) relevant to the topic of the post, which is about science fiction genre conventions in general. On the other hand, the topic of authors of color is interesting to people right now (and I wish were interesting all the time). I know many of people would be interested in knowing that some of the authors mentioned in the post are science fiction authors who are also people of color. But it seems weird to call that out when that's not what the post is about, you know? I didn't even tag the post "race" because it's not about race. I don't know what I should be doing in circumstances like this.

Fundamentally I think I can say the Attorney General was right about at least about me: I am part of a nation of cowards. It's odd how much many of us Good White Liberals™ were brought up to believe that mentioning someone's race is somewhere between tacky and racist.
"You see that guy over there? The tall one? No, slightly to the left of the other tall one?"
"You mean the Indian guy?"
"..."


(Now there is another post I've been thinking of making about some of those same books, and this other post is about race. In the tiny set of science fiction by black authors marketed to young adults, there do seem to be a lot of books with very mythic spiritual overtones. I'm thinking of Walter Moseley's 47, Virginia Hamilton's Justice and Her Brothers trilogy, and Nnedi Okorafor's books. It's a tiny sample set, so I don't know if I can reasonably extrapolate from that. They are also authors with very different backgrounds and personal histories. But I'm intrigued by it, because it's a touch of mysticism that I don't feel like I usually see in other science fiction, either for adults or younger readers, including science fiction by black authors. Does anyone know more about this than I do? I'd love to learn more.)

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Gnomic Utterances. These are traditional, and are set at the head of each section of the Guidebook. The reason for them is lost in the mists of History. They are culled by the Management from a mighty collection of wise sayings probably compiled by a SAGE—probably called Ka’a Orto’o—some centuries before the Tour begins. The Rule is that no Utterance has anything whatsoever to do with the section it precedes. Nor, of course, has it anything to do with Gnomes.

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