Cultural Appropriation and fandom vs authors & critics
I've just been catching up on a month of old ChildLit messages, and current context is making me notice something unpleasant. When there's an accusation of cultural appropriation in LJ fandom, fans immediately fall on the side of saying "How dare those of you with white privilege tell PoC their claims of having been harmed are false?" Whereas on ChildLit, accusations of cultural appropriation lead to a massive pileup on -- well, pretty much always on Debbie Reese. I don't always agree with Debbie, but the constant claims over there that her understanding of Native appropriation is wrong leave a vile taste in my mouth. Especially when contributors hit multiple bingo squares:
steepholm,
diceytillerman,
fjm, other ChildLitters, am I wrong? I know I'm a month out of date with my reading, but it really seems sketchy, how that conversation usually goes. And it happens again and again. Is fandom really that much more capable of seeing its own white privilege than ChildLit (which I know is not monolithically white any more than fandom is)?
- You're telling us what we can't write!
- You're telling us what we can't read!
- It's just fiction.
- No, it's different when it's a non-Native [in this case Jewish] story that's mistold; that's BAD.
- Isn't it racist to say you need Native clearance to tell this story?
- But the author had anti-racist intentions!
- You say that the characters are portrayed unrealistically as members of their culture, which means you want a sterotypical portrayal, which is racist.
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I think you got a fairly accurate perspective of what's going on on the mailing list from this one particular dustup, as well. Debbie does have supporters over there, both in this individual argument and in general, but for the most part, she is the only person who brings up those issues with regards to race on that list, and pretty much always about Native issues. A lot of problematic stuff does sail by the list unchallenged. It's a very well-meaning group about diversity, in that particular white privilege way in which Elizabeth Bear's original post was well-meaning: how best to serve children by giving them books about their own experience, which is very frequently not the experience of the person posting. It's incredibly well-meaning. And, you know, problematic. (And, I admit, the position that I come from myself, the media fandom has done wonders in helping me start to break out of.)
(Not that the list is monolithically white, by any means. Julius Lester, Roxanne Hsu Feldman, and Debbie herself are among the prominent members of color on the list. But for whatever reasons, children's literature scholarship and children's librarianship are fairly white fields in many English-speaking countries.)